http://www.nime.org/proceedings/2007/nime2007_285.pdf

http://andrewcook.co.uk/index.html

http://www.trimpinmovie.com/ 

The performer’s specialized
experience of the physical world allows them to act on the
instrument in a way that will produce the sounds they desire, and
the audience’s general experience of the physical world, their
embodied knowledge and conceptual models [10] built over a
lifetime’s experience, means that they can draw a meaningful
correlation between what they see and the sounds that are
produced.